“The Constitution does not confer a right to abortion; Roe and Casey are overruled; and the authority to regulate abortion is returned to the people and their elected representatives.”
With those words, the United States Supreme Court overturned Roe v. Wade, the 1973 decision that declared a federal constitutional right to abortion.
So what now?
How should churches respond to this ruling? How can this decision be turned into an opportunity for apologetics? And what’s been the historical perspective of Christians when it comes to abortion?
That’s what Garrick Bailey and Timothy Paul Jones discuss in this special episode of The Apologetics Podcast. What you’ll discover as you listen is that Christians have been talking about abortion far longer than you may have imagined. Abortion has even shown up in apologetics conversations, although probably not in the ways that you would expect. This leads the dynamic duo into a discussion of a song by one of Timothy’s favorite musical groups. The band is King’s X; the song is “Legal Kill.”
In the Raiders of Church History segment, Garrick finds a long-lost saint’s tongue and sends it into battle against a crusader’s lance. The result is a tongue piercing, which is something that your intrepid cohosts never imagined might happen on this particular podcast.
Timothy Paul Jones, Ph.D., is C. Edwin Gheens Professor of Christian Ministry at The Southern Baptist Theological Seminary. He teaches in the areas of family ministry and applied apologetics. He has authored or edited more than a dozen books, including Why Should I Trust the Bible?, The God Who Goes Before You, Perspectives on Family Ministry, and Christian History Made Easy. Follow Dr. Jones at @DrTimothyPJones.
Garrick Bailey is a Ph.D. student in systematic theology at The Southern Baptist Theological Seminary, studying Herman Bavinck and Roman Catholicism under the supervision of Gregg Allison.
LINKS TO CLICK
De Anima (Tertullian of Carthage)
Legal Kill (King’s X)
Music for the podcast has been licensed through Artlist.io and performed by Cunningham Manor. Brief excerpts of music played in each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. “The fair use of a copyrighted work … for purposes such as criticism, comment, news reporting, teaching, … scholarship, or research, is not an infringement of copyright” (U.S. Code § 107, Limitations on exclusive rights: Fair use).